The grim reality of the brothels of Pompeii

Ancient Graffiti Reveals Life Inside Roman Brothels

Pompeii is one of the most important archeological and historical sites for research the Roman Empire and its culture

Pompeii was a medium-sized town, with a population of around 11,000. It is characterized however, by its multicultural demographics, thriving society and sophisticated infrastructure. Pozzuoli’s nearby port has allowed a strong economy to grow, particularly centered around trade.

Villa of the Mysteries in Pompeii seen from above.

Economic stability and merchants ‘ presence from all parts of the empire ensured a strong presence of sex trade. The walls of estates that acted as brothels such as inns, taverns and lunch counters have been thoroughly researched by  historians.

This also plays a major role in their research is the graffiti that often mentioned sex-work-related details, thereby serving as one of the most important historical sources.

Roman painting from Pompeii, early 1st century AD, most likely depicting Cleopatra VII, wearing her royal diadem, consuming poison in an act of suicide, while Caesarion, also wearing a royal diadem, stands behind her.

The pictures on the walls usually show fair skinned women with intricate hairstyles, surrounded by tanned and athletic men. Such a picture have three potential reasons.

They could have served as a visual cue for stronger arousal. It could also be that the scenes were a pictorial menu of different services one could get in a brothel. Lastly, they might have been guides for inexperienced customers who would frequent the premises.

Much of the graffiti found on the walls is very graphic. It details specific employees and their skills, sexual advice, and prices for specific acts one could seek out.

Pompeii and Herculaneum, as well as other cities affected by the eruption of Mount Vesuvius. The black shading represents the general distribution of ash, pumice and cinders.

Studies of this graffiti have revealed that the sex workers had names of exclusively Greek origin. Their names were sometimes descriptive and told the story about either physical characteristics or the function of a worker. The names of male workers are also featured.

Purpose-built brothels featured cubicles with a permanent foundation for the bed, as in this example from the Lupanar at Pompeii.

As freeborn women were not allowed to have  outside of marriage, it is almost certain that their only customers were men. The practice of homosexual intercourse was indeed nothing strange for the ancient Rome.

The only rule was that the citizens who were higher up in rank could not take on a submissive role during intercourse. In general, the  trade was not frowned upon and it was central in maintaining the institution of marriage. It was believed that the wife’s role was solely to provide a male heir.

Roman fresco with banquet scene (detail) from the Casa dei Casti Amanti (IX 12, 6-8) in Pompeii.

Seeking pleasures from a wife was thought to be immodest and not respectful to the woman. Therefore, the husbands would fulfill their fantasies in one of the many brothels around. Sex work was not illegal, but adultery was, so it was a normal practice to pay in exchange for physical love.

However, workers had it far from easy. They worked in stone cells, usually without any windows and with a curtain instead of a door.

Most workers were slaves, so they did not have any choice but to obey their masters. The attitude towards slaves in ancient Italy was not favorable — it ranged between indifference at best to open violence.

Fresco of couple in bed.

They were cut off from the rest of the world and usually moved only around the estate they worked in. They were usually under the control of procurers who owned the rights to them and their bodies, and who may have provided only the most basic necessities for their slaves.

 

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